Friday, May 8, 2009

Natasha Trethewey in the JoongAng Daily





Pulitzer poet stirs Korean sorrow
Trethewey’s visit provides inspiration for young generation of writers
May 05, 2009


Natasha Trethewey
By Hannah Bae, Contributing writer

With their focus on the black Southern experience, the poems of Natasha Trethewey may not appear immediately relevant to Korean audiences. But oppression, loss and the aftereffects of war are familiar to the psyche of both South Korea and the American South, a message that emerged in the Pulitzer Prize-winning poet’s series of lectures in Seoul last week.

“I’m constantly talking about historical memory,” Trethewey, a professor of English at Emory University in Atlanta, Georgia, said Friday before her lecture at Yonsei University’s Underwood International College. “I’d like to present a fuller version than what’s always been told by the white men.”

Read the entire article here:
http://joongangdaily.joins.com/article/view.asp?aid=2904376

Camille Dungy at the Poetry Foundation



Camille Dungy

Mujeres poetas de Venezuela/Women poets of Venezuela

I received an unanticipated package early this week. Each month, enough packages containing books or journals show up in my box that I tend to be unfazed when an unexpected package arrives. Often, when such books arrive, I take a cursory glace at the cover and the table of contents, register interest, then set the book aside, promising to return to it when I have a bit more time. Lately, I’ve been on the run, with too much to do in too few hours, and I’ll admit I opened the padded envelope without even bothering to see who/where it was from. But this little package was different. It had come all the way from Venezuela, carrying with it the work of twenty-five women I immediately wanted to get to know. Perfiles de la Noche/Profiles of Night: Mujeres poetas de Venezuela/Women poets of Venezuela compelled me to stop all my running, to sit down, to read.

The House Inside

To Poetry

The house needs both my hands.
I must hold up its plaster like my bones,
its salt like my joys,
its fable in the night
and the sun burning in the middle of its body.
I have to suffer the curtains and their seagulls
dead in flight.
Be moved by the garden and its sketched mask of flowers,
the innocent brick accused
of not being up to the mirrors,
and the doors open for new brides
with their sound of rice growing under the veil.
I have to look after its replica of the universe,
the memory of fields in the vases,
the concerted vigil of the table,
the pillow and its likeness of strayed birds,
the milk with dawn’s face under its brow
with the stiff solitude of a lily
simply being born.
I have to love it whole, going out of my hands
with the grace that lives on my dying grace.
And not know, not know there’s a clover village
with the sea at it’s door
and no names
nor lamps.

Read the entire post here:
http://www.poetryfoundation.org/harriet/2009/05/mujeres-poetas-de-venezuelawomen-poets-of-venezuela/

Saturday, May 2, 2009

Dan Albergotti Reviewed at "Rattle: Poetry for the 21st Century"


Review by Kerry Krouse

THE BOATLOADS
by Dan Albergotti

BOA Editions, Ltd
250 N. Goodman St, Suite 306
Rochester, NY 14607
ISBN 978-1-934414-03-3
2008, 96 pp., $16.00
www.boaeditions.org

We like for things to be orderly—for our houses to shine and our gardens to be weedless. We want the world to be as easy and knowable as the predictably designed houses and neatly ordered streets in new subdivisions. But to read Dan Albergotti’s collection of poems, The Boatloads, winner of 2007 A. Poulin Jr. Poetry Prize, you have to leave the comfort of the subdivision and stand at the uncomfortable borders where worlds meet: the ancient burial ground that sleeps below the shopping mall, the sidewalk shared by the faithful and the homeless, the streets lined with fruit trees but also gutters. The poems of The Boatloads live in this intersection where antiquity intersects modernity, where the sacred intersects the profane, where faith collides with truth.

Read the entire review here:
http://www.rattle.com/blog/2009/04/the-boatloads-by-dan-albergotti/